Willy Wonka & the Chocolate Factory

I showed the movie to my students. They loved the movie and it’s rated “G”. I also have the book in my library in both English and Spanish. Hopefully my students will also want to read the book.

Purchased for my nephews. Willy Wonka & the Chocolate Factory is an absolute classic that still feels magical today. From the unforgettable songs to the imaginative chocolate factory, it keeps kids fully engaged from start to finish. The Blu-ray quality enhances the color and detail, making it even more enjoyable for family movie nights. A timeless film that continues to entertain every generation.

Yeah, yeah, so the enormously talented and amazingly HOT Johnny Depp did a new version of the novel this movie is based on titled "CHARLIE and the Chocolate Factory". Well, I find it creepy and too modernized. THIS is THE Willy Wonka! Gene Wilder is unbeatable as the quirky, engaging, singing, hermitic, clinically insane candymaker extraordinaire. These oompa-loompas with their green hair, orange faces and clotheshanger-in-the-pants uniforms are the only way to go. And the singing, the routines, it's fantastic! I personally enjoy the colors and the 70's filming techniques used to make this movie. Anyone who was a child in the last 30-some years had to have grown up singing "oompa-loompa, doompa-de-doo, I've got another puzzle for you..." and delighting in the sounds, sights, colors and over-the-top acting of all the brat children. Everything from the room that gets smaller at one end, to the boatride, even down to the moving-hand coathangers is bright and cheerful even when it's utterly terrifying. And, there are no CG effects to spoil the atmosphere. Face it, the CG in the newer movie is STILL not good enough to be convincing. When you know they were just in front of a greenscreen, the movie is not the same. This movie is authentically cool and nostalgically cheesy in some parts and all the more endearing because of it. Willy Wonka belongs to the time of films when most everything was made by hand and children's films were - at heart - sweet, endearing, family-oriented affairs. Some of my friends and I (we're in our 20's by the way) want to know what happened to such movies as "Willy Wonka", "Hook", and the wonderful, hand-drawn illustrations from films even as recently as "The Little Mermaid" "The Lion King" and "Aladdin" - I grew up on these and am sad everything is so CG and driven by extraordinarily cheap, vulgar humor. And what about fantastically done versions of classic books such as "Black Beauty" "The Secret Garden" and "The Little Princess"? I grew up on those as well and loved them dearly. Or others, like "The Sandlot" and "Angels in the Outfield" - where are these movies today? Why aren't these sorts being made still? Take my advice - classics like "Willy Wonka & the Chocolate Factory" are the kind of movies we need to keep showing our kids, and watching ourselves if only to be reminded what a truly classic children's movie ought to be.

Growing up in the 80s, this movie was always a classroom highlight. I remember in third grade, we were going to be watching this movie as a reward and I had to miss class that day. I was devastated. As an adult, you start to see just how creepy this movie truly is. I don't know how third graders could sleep at night after watching this movie, between the insanity of the boat scene to children disappearing and turning into blueberries. And the Oompa Loompas? Kinda creepy as a child, but as an adult, it makes you wonder if those Oompa Loompas were onto something, teaching us lessons through catchy and bizarre songs. Poor Charlie Bucket and Grandpa Joe and the entire Bucket family...but as an adult, the true and genuine message shines through. Of the children lucky enough to find a Golden Ticket, it was Charlie and Charlie alone who went into his experience, humble and respectful, and it was Charlie who was ultimately rewarded with the grandest of prizes when Willy Wonka realized Charlie's pure soul and his personality traits that led him to see wrong from right. I can't lie when I say that watching this movie after a couple of cocktails can be hilarious, because it is certainly not politically correct by 2023 standards, but it's still an excellent movie that takes you on a bizarre ride of colors, sounds and a storyline that nearly pops off your screen. It will also always be one of my favorite Gene Wilder roles, between his crazy physical stunts to the creepy songs (the boat ride!) and I would never turn down the opportunity to take some time out of adult life to watch this movie.

This is a classic movie featuring Gene Wilder that I enjoyed watching as a child. I ordered this movie to watch with my son who is playing Mike Teavee in the school play. This movie is appropriate for young children and avoids any of today's questionable topics. This is a safe family-friendly film. The DVD arrived quickly and had no imperfections from shipping or the manufacturer. The movie played well and the quality was acceptable considering its age. I am happy to now have Willy Wonka & the Chocolate Factory as part of our DVD collection. I would recommend this movie as it was affordably priced, arrived quickly, and is a good quality feature.

Good movie

Having seen both versions several times I have to say I like both. Yes there are stark differences in the main character Willy Wonka and there were some other minor differences in the characters of the children and their parents. Actually, there are a great many differences between Tim Burton's version and the original Mel Stuart version. Mel Stuart's version was more like a musical, highlighted with several musical interludes presented by Gene Wilder and his portrayal of Willie Wonka and one other musical interlude given by the character Varuca Salt - the "I want it now" song. Both versions had Oompah-Loompah songs - after all, it wouldn't be the same without the Oompah Loompah's musical mantras touting the social problems of misbehaved, spoiled children. I did, however, prefer the original Oompah-Loompah performances. The lead up story, basically Charlie's story, for the most part is unaltered with Burton's version deviating slightly to include Charlie's father, a man who works at a toothpaste factory, and his mother is non-working to stay at home and take care of the ramshackle hut of a house and Charlie's grandparents. In the original, we do not know of Charlie's father and his mother works at a laundry, washing clothes. Tim Burton's remake also does not include "The Candy Man" song or Charlie's theme "Cheer up Charlie". There is one other song when Charlie's grandfather get's out of bed for the first time in twenty years. It's not in Burton's version either. In contrast, the only "musical" interlude in Burton's version aside from the Oompah-Loompah songs was a cheesy "Willie Wonka" mechanical doll performance at the entry to the Wonka Factory. This performance while starting out innocently enough soon transcends in to a scene more apropos for a "Chucky" film - hideous and revolting! Over all I give both versions equal ratings. In the following I discuss in general the differences I noticed and meant the most to me. If you for some odd reason have not seen either movie and wish not to know the details then please read no further. They have certainly been on TV several times. The parallels: Augustus Gloop, the gluttonous brat: No differences between the two versions. Violet Bueregard, the gum chewing brat: In both versions she takes the gum from Wonka and, at the behest of Wonka not to, begins to chew the gum. The 2 movies do deviate at the point only slightly where as Wilder's Wonka does, in a more nonchalant manner, say "stop, don't", Depp's Wonka simply bemoans where the process goes wrong. In both versions, Voilet turns violet and becomes very, very round and plump, like a blueberry, only in Burton's version, more so. The end is the same- to be rushed off to the blueberry squeezing room! Varuca Salt, the spoiled rotten brat who gets anything she wants: All through the movie (both versions) she demands her father to buy her this or get her that. The difference here is that in the original she sees giant geese that lay giant golden eggs - for Easter, of course. In Burton's version, and as I understand from the original book, there are squirrels - who test and shell walnuts. Of course, Varuca demands her father to buy her a squirrel, or in the case of the original, a goose. In either version she attempts to steal her prize and ends up going down the garbage chute to the "incinerator". Which we find out isn't working that day - whew, thank goodness for that ;). Mike Teevee, the brat with a television addiction: The same annoying "know it all" brat. The difference being that in the original he was addicted to westerns and in Burton's version he is a video-game addict. I liked the way in which both Wonka characters dealt with Mike through the course of the movie. The end for Mike was the same in both versions. The major differences (aside from the musical score and the characterization of the Oompa- Loompas); Willy Wonka: The eccentric chocolate mogul. There are stark differences between Mel Stuart's version and Tim Burton's version. Mel Stuart's Version of Wonka portrayed by Gene Wilder is a light hearted, whimsical and somewhat eccentric man where as Tim Burton's version portrayed by Johnnie Depp is a considerably darker character who has deep emotional evulsions toward parents - linked to an apparently overbearing father who was a dentist, as we are repeatedly shown in no less than 3 "flashback" scenes. Depp's Wonka was definitely eccentric. His portrayal, however, stopped well short of whimsical and was in no way light hearted, but rather more stogy with a slight after taste of stale comedy. Then finally to Charlie Bucket: The poor and destitute "good" child. Here, the story isn't quite the same, either. The differences are many; I'll touch on the most notable. In the original, there is no father figure. Charlie is closest to his grandfather, who hadn't stepped foot out of bed in 20 years. In Burton's version, Charlie has a father figure who had just been laid-off at the "toothpaste" factory, his job being replaced by a robot. In both versions, however, Charlie does go to the chocolate factory with his grandfather. In the original, Charlie and his grandfather DO get in to mischief by taking a sip of some "Fizzy Lifting Soda" and end up floating up in to a, for lack of better description, smokestack. They do return to ground unharmed and continue on with their adventure - after all, the story is about Charlie. In the remake, no such detours. Charlie was a perfect child all the way through. In the original, Charlie did not initially win. He had to prove his "goodness" by returning the "Everlasting Gobstopper" at the end of the adventure. At which point Wilder's Wonka awarded Charlie the factory; End of movie. In Burton's version, Depp's Wonka, since Charlie is the last remaining child, the factory is awarded to him, BUT, unlike the original, Wonka tells Charlie his family can't come with him. The movie languishes on with Charlie actually showing Depp's Wonka that having a family is a good thing and eventually Charlie wins out, reuniting Depp's Wonka with his father and then obtaining the factory and moving his family in as well. There is hardly a mention of the "Everlasting Gobstopper" in Burton's version. There was a "sub plot" in the original version that centered around honesty. Wonka's chief competitor was Slugworth Candies. A man posing as Slugworth approaches each child offering him/her cash fortune to get an "Everlasting Gobstopper". A tempting trial for each child, no doubt. While this sub-plot does make an appearance in the Burton version, it ends up fading away never to be seen again. In Stuart's version, this sub plot would be the deciding point for Charlie, had he not returned the Gobstopper to Wonka, he would not have won the "prize". This sub plot proves honesty above all else. Let's not forget the flyover in the glass elevator. While minor to the movie, it should be noted that in the original we never see the end result of the children who lose out. This would be the end of Stuart's version as Charlie, grandpa, and Wonka fly onward and the credits roll. In Burton's remake, we get to see each of children as they exit the factory in a cartoonish portrayal of what each child went through. Augustus covered in dried chocolate - attempting to eat the chocolate from his fingers Violet, still violet in color is now more flexible, but otherwise unharmed and apparently enjoying her new found flexibility. Varuca and her father exit covered in trash. Varuca spots the flying glass elevator and quips, obviously not learning her lesson, "Daddy, I must have a glass elevator!" This time, however, Mr. Salt retorts quite shortly "the only thing you're getting is a bath!" Mike Teevee, having been shrunk in the Wonka-vision is now considerably taller and very, very thin; having been stretched in the taffy pulling machine. Then we see the glass elevator crash through the roof of Charlie's house where Depp's Wonka delivers the prize to Charlie. Telling him he has won the factory, but then dashing his hopes by telling him his family can't come along. No, sadly, this is not the end of the movie as it languishes on. We see later Charlie working a shoe-shine stand and Wonka sitting, pretending to read a news paper, taunting Charlie about his decision and wondering why such a smart child would want his parents around. This continues with Charlie convincing Wonka to find his father, Wilber Wonka DDS. They do, they meet, the Wonka's engage in a rather reserved father/son embrace. We then see Charlie and Willie returning to Charlie's house for dinner - but this time, the house is actually IN the factory. Wonka did give the factory to Charlie AND allowed Charlies entire family move in. I did prefer Stuart's version of the Oompah-Loompahs. Burton's version seemed like a cloning production in overdrive. All looking exactly the same. Which, in reality it was. In Burton's version, Gordeep (Deep) Roy played ALL of the Oompah Loompahs - with a little help from technology, of course. All that said, I have not read Dahls original novel. I have read the introduction for the screenplay, however. The Intro scenes of Burton's version do, for the most part, follow the Dahl intro. From the point of the children gathering at the gates of the Wonka Factory and forward, I can't say. Perhaps I will have to obtain a copy of the novel and find out.

nice

Classic movie. Nice to have it on blu ray

This video is great fun for anyone who watched it as a child. In the special "behind the scenes" interviews at the end of the video, the director claims that the movie was intended for adults and NOT for children, but children do indeed love it as well. The plot is a pretty cheesy and predictable one concerning the theme of "good vs. evil", with good winning, of course. However, the character of Willy Wonka, played by Gene Wilder, makes some pretty unpredictable and amusing comments throughout the film. The filmmakers had a good sense of humour concerning sets, characters, and dialogue, all of which makes for fun viewing. The set design inside Wonka's chocolate factory is pretty fabulous and colorful, and is a real treat for the imagination. --American Mom in Japan

Well Willy Wonka & The Chocolate Factory Fans.......This truly is an Ultimate Collector's Set. You are getting your money's worth with this set, and you will not be disappointed. First of all, this set includes not only the Blue Ray transfer presented in 1080p High Definition 16X9 Dolby True HD 5.1,Dolby Digital English 5.1, & French, but includes the DVD transfer as well as a 3rd disc full of hours of extras. Extras include New interviews with director Mel Stuart, a recently rediscovered archival featurette that includes an interview with late author Roald Dhal. A documentary called "Pure Imagination, Commentary with the Wonka Kids, 4 sing-along songs, a vintage 1971 theatrical trailer, and much more. - A 144 page full color book about the making of the film. - A Special separate folder that contains 14 pieces of Wonka production correspondence, including a copy of a hand written letter from Gene Wilder to the director Mel Stuart, as well as copies of the letters sent out to the actors telling them they have been casted. - Your very own "GOLDEN TICKET" just like in the film, & A collectable Wonka Bar tin with a chocolate scented eraser inside, as well as 4 scented pencils (Blue Berry Pie, Banana, Snozzberry, & Hair Cream. The eraser and the pencils come in their own individual plastic wrapping so you can keep them in mint condition & preserved if you like....or you can have fun and actually use them. Hands down the coolest collectors set I own. Make sure to check out the photos I have added to product description.

Why are you reading this. Just get the movie

Das der Film nicht gegen das perfekte Remake von Tim Burton anstinken kann, steht ausser Frage. In den 70er Jahren hatte man noch nicht die technischen Mittel, die man Heute hat. Ebenso stimme ich den anderen Rezensenten zu, die empfehlen, den Film mit der englischen Filmspur zu genießen. Schon relativ am Anfang lebt der Film ja von seinen Stilbrüchen. Eindeutig in Deutschland (Bayern ?) gedreht, rennen Schulkinder in einen amerikanisch aufgezogenen Süßwarenladen, in dem sie zu einem Klassiker ("Candyman") Süssigkeiten bekommen, ohne das sie Anstalten machen zu bezahlen. Draussen steht der mittellose Charlie, der durch eine, wieder typisch deutsche, Stadt geht, und dort nach amerikanischer Manier Zeitungen durch die Gegend verteilt. Am Tor des, ebenso typisch deutschen Fabrikgeländes der Gründerzeit, schaut sich Charlie die Leuchtbuchstaben der Schokoladenfabrik an, die zu diesem Zeitpunkt angeschaltet werden (warum fühle lch mich so an "BAYER" erinnert?). Innerhalb der Schokoladenfabrik ist es ebenso typisch 70er Jahre mäßig. Diesmal ist es mehr der Chame der DDR- und tchechische Märchenfilme, an die mich die Oompas und die Räume der Fabrik erinnern. Nichts gegen Märchenfilme aus dem ehemaligen sozialistischen Osten. Sehr gut gewählt ist Günter Meisner als zwielichtig wirkende Figur. Als kleiner Nebeneffekt gedacht ist wohl der Auftritt von Kurt Großkurth (das ist der Herr, der in der Gaststätte von dem Mikrofon abbeisst). In unzähligen deutschen Schnulzen ist er als komische Figur aufgetreten. Der typische Wohlstandsdeutsche. Nunja. Alles in allem ist der Film meiner Meinung nach mehr ein zeitgeschichtliches Dokument. Das soll dem Genuß des Films aber keinen Abbruch tun.