Starring Oscar actress Charlise Celon! The most "laughing" woman's painful love comedy has been restored. The Academy Award-winning "Mileage, My Life" director "JUNO/Juno" is a retag! Blu-ray Bonus Video Voice explanation by Jason Lightman (Director), Eric Steelberg (Photography) and Jason Bluemenfeld (First Assisted Director). Reasons to empathy with Mavis: Making of "Young Dinosaur Adult" Backside of photography: Until you can create a "Woodys" scene. Q&A by Janet Maslin (Film Criticer) and Jason Lightman (Director) Removal Scenes STORY Maevis Gary is a self-honored author Ghost lighter. The young adult (girls) series of writings has become popular and close. This girl will know that a baby was born in his former lover Buddy and his wife Bess of high school. Since a divorce a few years ago, Mavis hate every day who lives free or wouldn't be good, but he tries to return his original brilliance to her buddy and yoli.
M**S
A fearless character study of prolonged adolescence.
We all know a woman like Mavis Gary. She's the kind of girl who everyone feared in high school, who was always effortlessly beautiful, and yet she had no personality whatsoever. She would do whatever was thought to be "cool". Her loved-but-feared status meant that she probably barely registered your existence at all. We assume that this kind of woman goes on to do great things, and becomes an amazing person who would have a whole new generation of people fearing her, but that is not always the case, and that is where we meet Mavis, in "Young Adult".Diablo Cody will forever be known for writing 2007's hip-dialogue laden and instantly memorable "Juno", a somewhat controversial teen comedy, which served as a star vehicle for Ellen Page, ensuring that she will play rebellious teenagers well into her thirties. Diablo Cody has reunited with her "Juno" director, Jason Reitman, for "Young Adult". I would like to mention that aside from auteur moments in Cody's writing, this is nothing at all like "Juno", and that's a good thing."Young Adult" is the study of a borderline psychotic personality. It's the story of Mavis Gary, a woman pushing 40, who lives alone, with her obviously neglected Pomeranian, in her disheveled condo in Minneapolis. She is a ghost writer of young adult fiction, which is ironic, considering she hasn't grown up at all since high school. She is not emotionally matured in any way, and thinks that her living in a neighboring city of her suburban hometown means that she has a life. She gets an e-mail from an old high school boyfriend who invites her to a baby-naming ceremony, or something like that. Fully intending to get him back, she blatantly ignores the fact that he is a husband and new father. In her mind, there is something not right in the universe, and she intends to fix it.We don't really know, as an audience, if we are supposed to feel empathy for Mavis, or if we should just feel pity. At several points in the film, we see Mavis laying face-down on a bed, either in her cold pigsty apartment, or her hotel room, where she appears to be dead. She's never dead, just dead drunk. Her character says to her parents at one point, "I think I might be an alcoholic", and the statement is largely ignored. Anyone who says this aloud knows damn well that they are, and the fact that her parents ignored this statement shows you what kind of family this woman came from. Mavis is definitely an alcoholic, seen repeatedly drinking heavily just to make it through the day. She may as well have been drunk in every scene. This is a study of a depressive character, but the thing that bothered me was that her parents ignored this statement, because they would obviously rather pretend that there is no issue. It's upsetting, but like I said, it shows where this woman became this way. That's good writing.This film works because the lead character is extremely well written and observed, but also because Charlize Theron knocks this one out of the park. First of all, before I get to any other facts about this character, I must say that Theron plays a drunk very well. The last thing I remember seeing her in was her infamous performance as Aileen Wournos in 2003's "Monster", and it is going to sound trite, but she's playing a different kind of monster here. She is a woman whose main goal in this film is to break up a marriage. She gave so much of herself to this character, and she may as well be responsible for the film's success. I personally liked Mavis, a character who we're supposed to hate, or feel great pity for, and I give Theron most of the credit for that.Patton Oswalt, of stand-up comedy fame, plays Mavis's ally in the whole thing, Matt, a guy who graduated with her, who she probably never talked to in high school, yet he is either fascinated by her antics, or just enjoys talking to her, because they become good friends. I know Oswalt from Cody's Showtime series "United States of Tara", where he also played the kind of character he plays here: the voice of reason to a borderline sociopath. He is a crucial ingredient to why this film is as good as it is, and had to be mentioned.With "Juno", "Thank You For Smoking", and "Up in the Air", and now "Young Adult", Jason Reitman has a fantastic track record. I have enthusiastically enjoyed each of his films thus far. It's interesting for me to think of this film as a companion piece to 2009's "Up in the Air", two films about emotionally stunted individuals. [George] Clooney's character in "Up in the Air" didn't want to feel anything, and didn't want to get too close to anyone. The film ends with him not exactly changing, but moving forward in his life, ignoring factors that would have emotionally devastated the average person, and just moving forward. Meanwhile, Mavis is irrevocably stuck in the past. The best time in her life was high school, where she was popular and kind of feared, and now she is just pitied. Yet she is obsessed with making her glory days a reality again.There is nothing warm, sentimental or happy about the ending of this film, let me just say that right off the top. The film itself is dour, bleak and emotionally brutal. The performances are powerful, and the writing is excellent, yet it doesn't have the warm, happy, everything-is-better-all-of-a-sudden ending that American audiences are used to, and that's a damn good thing. Most character studies about unlikable people typically have the antihero change for the better in the end, in an ending where everything is warm, and everyone is left happy, but Mavis doesn't get off the hook that easily. While the film, in a whole, is quite depressing, its brand of black-as-night comedy is refreshing and welcome. I would call it the meanest Hollywood film this year, and that's a very good thing.Grade: A-
A**N
Trim the fat...
Mavis Gary is a mess. She is permanently sixteen. She drinks herself to sleep while watching the Kardashian empire grow and she walks around oblivious to her own obscurity by convincing herself that she's somehow important. She escaped small down life by moving to the Mini-Apple and she's never looked back once. She writes a `dead in the water' YA series that is rounding the corner of completion and she thinks anything that isn't manufactured by media propaganda is `gross'. She leans on her own crutch, a crutch created by a self-loathing she won't confront and enabled by those who loath themselves and will admit it (the little people are obsessed with her). Like I said, she's a mess.In `Young Adult', former stripper and Oscar winner Diablo Cody crafts a sharply focused dissection of a woman who refused to grow up and who insists that she's above everyone else.`Young Adult' is a simple prose. Mavis finds out that her high school sweetheart has become a new father just as she is being hit with her deadline for her final book. Suffering from severe writer's block she heads to her home town to see the new baby and hopefully steal her ex back from his wife. In the process she reconnects with an equally lost soul who becomes a voice of reason to the misguided Mavis.If only she'd listen.There is no fat here. This film is sharp and to the point and just `gets it'. Charlize is hilarious yet with a purpose. You can see the dramatic weight of her past life haunting her current motives. She nails this performance; possibly the best of her career. Comedian Patton Oswalt is also flawless here. The way that he embodies his character, Matt, with the right amount of self-pity is brilliantly colored. He's believable; sad and lonely yet seemingly stable. Yet again, Patrick Wilson is nothing more than a pretty prop (does NO ONE IN HOLLYWOOD RESPECT HIS OBVIOUS TALENT?????) but it doesn't fault the film since he needed to be that in order for this to work.Great film, great central performances; I'm ashamed that the Academy didn't bite!
C**N
Review
I found this movie (the first time I watched it) extremely dark, sad, painful and a bit disturbing. I couldn't stop thinking about it for weeks and talking about it with friends who had seen it. To me, signs of a really good movie. Definitely worth it, and the performances are amazing. Wow.
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