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Andrey Tarkovsky, the genius of modern Russian cinema―hailed by Ingmar Bergman as "the most important director of our time"―died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films― Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre―most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work. Review: Great book - If you're a Tarkovsky fan this book is a delight! Review: Sehr empfehlenswert - Sehr empfehlenswert
| Best Sellers Rank | #16,363 in Books ( See Top 100 in Books ) #8 in Movie Theory #12 in Movie History & Criticism #150 in Performing Arts |
| Customer Reviews | 4.8 out of 5 stars 484 Reviews |
I**A
Great book
If you're a Tarkovsky fan this book is a delight!
C**T
Sehr empfehlenswert
Sehr empfehlenswert
A**.
Cinema as an Art form
"Sculpting in Time" is truly an amazing work of art in its own right. Certainly filmmakers have written books about their artistic styles in the past. Philosophers have written elaborately on the subject of aesthetics as a whole in the past as well. And yet "Sculpting in Time" offers those with aesthetic interests something truly unique. It should be forewarned that Tarkovsky, like Ingmar Bergman, was heavily interested in aesthetic philosophy. In fact Tarkovsky's ideas regarding art borderline the metaphysical (as this book is often used in higher level philosophy classes), and yet - through the tone in which the book is written - "Sculpting in Time" manages to appeal to the average Tarkovsky or cinema studies fan in such a way that no other aesthetics book has managed. Tarkovsky's self-written "Sculpting in Time" is an amazing supplement which describes the brilliant filmmaker's use of filmic techniques but also goes a step further by explaining (at great length), why the filmmaker believes those techniques are significant. The value of his tried efforts to create a meaningful work of art directly relate to Tarkovsky's view of art as a whole. Tarkovsky's views of art are complex and yet are reiterated for the reader so simply they stand out in "Sculpting in Time" like a gem. For instance the underlying theme in Tarkovsky's writing is the idea of an "absolute truth" of art which can be derived a given piece of art. Without giving too much away, Tarkovsky's beliefs, as expressed in his chapter "Imprinted in Time" mostly, is simply that art done for the right reasons - containing some form of objective truth within it - serves to link us (subjective beings), with an "absolute." From that blooms Tarkovsky's entire creative aspect fans of his films know and love him for. I have to recommend this book to anyone interested in aesthetics, cinema studies, or Tarkovsky. I think this is a nice supplement to have when watching Tarkovsky films as well, so it might just serve to spark the interest in a philosophy buff to check out a few Tarkovsky films! Enjoy!
T**B
A must read for any filmmaker or film enthusiast
Excellent book. Tarkovsky’s insight on filmmaking is thoughtful, philosophical, poetic, and spiritual.
M**U
True inspiration
I was introduced to Tarkovsky's work about 20 years ago during my time in film school, and The Sacrifice was the movie that turned me on to his outstanding cinematic legacy. The more I saw, the more I wanted to learn about the artist. Then I came upon Sculpting In Time; a cinematic memoir which has forever changed my life, and my artistic visions. This book is nothing short of inspirational. I highly recommend it even if you are not familiar with Tarkovsky's work. Each chapter is loving written, eloquently detailed and profoundly insightful on topics such as the importance of sound, story and visual aesthetics in filmmaking. Tarkovsky's ability to, quite literally, sculpt cinematic moments in time in each of his films is nothing short of genius.
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