Behringer VINTAGE DELAY VD400 Vintage Analog Delay Effects Pedal, White

Made the sound worse and killed all the fender amp built in effects. Not worth it

VD: Works fine but the battery doesn't last too long. Package box came in damaged and got stuck in transit. Behringer products are sturdy than expected and sound is good. TUNER: Works perfectly... for a steal deal I'm quite happy with it. Noise Ruducer: As the name suggests it's not a noise gate pedal but a noise reducer and does its job well. Grounding issues in the pedal bypassed or not causing extra noise to be added.

No effect and stopped working after 1 month

Great analogue delay at budget prices. Sounds just like the og.

This is an analog delay pedal and if connected before the crunchy pedals gives the sound a nice tape delay without adding noise. It starts to induce noise heavily when most pedals cross 75% level with a shrill. This can be used with control over knobs to give a sci-fi effect and can be reset easily with the knobs reduced to lower values. The only trouble is getting that 'slap back' delay is not easy. It depends upon the tempo of playing and this delay needs to be calculated according to that tempo. Trial and error is needed but there is a headache if tempo crosses certain value, this 'slap back' delay will not be induced at all! Ok product for seasoned players with technical knowledge only not for beginners.

Låter precis lika bra som flera gånger dyrare produkter.

Here's why I like this pedal.. 1. It is clean. The analog aspect of this has been thoroughly covered in other reviews so I won't rehash all that but would add that -for me at least- the effect has a warm quality to it that I really like even compared to other way more expensive ones. 2. Not over the top! Some pedals that offer Delay are really good too but don't allow you to really dial it down like this one from Behringer does. And I really like that you can dial in a very subtle effect to add just enough delay to accent the guitar tone without killing it and that's a very good thing. 3. Price. It was $25 bucks - cheap - nuff said. 4. Complimentary. This pedal compliments the other pedals I have on my board very well. It will definitely become a must-have addition of that I am confident! 5. Quiet. I am blown away by how noise free and quiet this pedal is. And yes, I am talking about relative noise as compared to others. Is it dead quiet? Well, no. but for me what little noise it makes is probably attributable to the florescent lights or even the power supply block I am running it off of. So no complaints there. 6: Plastic but feels solid. Yep - the Behringer pedals are made from a heavy grade plastic but I have not a second thought about all of my other Behringer pedals and have played out numerous times over the years with some of them.. in fact an older Behringer pedal I own has out lasted a much more expensive Digitech pedal that I purchased less than 2 years back! Final thoughts: Buy it. Its $25 bucks. It works great! Do recommend using it with an AC adapter or connecting to your board. Keep Rocking!

This is a clone of the Boss DM-3 analog delay pedal made around 1983 to 1985 (ish). It is a true analog delay which copies the circuit design in as many respects as it can without being issued a lawsuit. I understand that the long extinct Panasonic chip which lies at the heart of the DM-3 sound has been reproduced. As with most, if not all Behringer pedals it uses tiny SMD components instead of the original full size parts. The only downside of this would be it very difficult to repair or modify, but even so-called 'boutique' pedals such as my Heptode phaser pedal use this technology and as far as my ears can tell it has no negatives on the sound.. Why would it? I've owned a DM-3 pedal in the past and in my opinion it sounds exactly how I remember it. Warm, characterful and very controllable. I would say if anything it is possible to dial in and make micro adjustments more easily as the controls seem less sensitive but still have a similar overall range. The envelope of the decay is spot on - something that the Line6 DL4 model of this pedal did not quite get right and was hard to live with. All the sounds it produces are usable and I finding I have a been using it as a slapback delay, a pseudo 'down a well' reverb effect and groovy Self- Oscillation sounds which I frequently sample on an old Akai s950 at low bandwidth and mangle further to great some great textures in my recordings. What I like in particular with this pedal is how the effect on guitar sits well in the mix. I sometimes record the direct out of the delay seperately so I can EQ the delay or add modulation to the echo trails. Some people have mentioned noise but mine is fine and only what I would expect from 30 year old circuit design. Isn't it all part of their character .... you know the stuff that digital models go out of their way to reproduce? The construction seems perfectly good enough - the pots have a nice feel and the sockets feel fine. There are other reviewers who moan about the case being made of plastic but it's ABS and is more than capable of surviving being dropped etc. Seriously, what do people want for eighteen quid including postage? There are people who love to bitch about Behringer but I've had nothing but good experience with them. This pedal is no exception - it sounds amazing and I doubt many could tell the difference in sound in a blindfold test. It has a warranty, if it goes wrong return it and they will replace it just like any other pedal manufacturer would. What is there not to like? I'm still trying to get my head round how I can buy a 100% genuine analog bucket brigade delay brand new for less than twenty quid that sounds just like my old Boss. I'm super happy. The clone is dead! Long live the Clone!