Bestial Burden, the previous album by Margaret Chardiet's Pharmakon project, focused on the disconnect between mind and body, looking at the human as an isolated consciousness stuck inside of a rotting vessel. For Contact, she wanted to look at the other side of the spectrum - the moments when our mind can come outside of and transcend our bodies. In trance states, music and the body are used to transcend the physical form and make contact with some outside force. Chardiet decided to structure the compositions of each side of Contact after the stages of trance: preparation, onset, climax, and resolution. RiYL: Swans, Diamanda Galas, Godflesh, Throbbing Gristle
P**N
This album should be listened to at absolute top volume for the best experience. Get it now
One of the few artists that I listen to with my jaw agape - Pharmakon gives me the chills. This album should be listened to at absolute top volume for the best experience. Get it now!
J**I
If I can spare one person the misfortune of buying ...
If I can spare one person the misfortune of buying this album, then the burn it gave me will be worth it.No musicNo artistryJust noise, that's all you get.😭😭😭
P**N
I LOVE THIS ALBUM
I LOVE THIS ALBUM. (SHOUTY FULL STOP) P. S. IT IS A TRULY BRILLIANT CONTEMPORARY EXEMPLAR OF WHY WE NEED NOISE ARTISTS TO ILLUSTRATE THE STRUCTURED CHAOS IN WHICH WE ALL ABIDE ON A DAILY LEVEL. MAGNIFICENT.
C**N
Power Electronics fresco
El mejor álbum. Experimental de 2017
Trustpilot
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