


Hugh Jackman reprises his role as Logan aka Wolverine in this tenth instalment in the 'X-Men' franchise, following on from the events of 'X-Men: Days of Future Past' (2014). It's the year 2024 and Logan's age is finally catching up with him, with his ability to heal rapidly slowing. When Professor Charles Xavier (Patrick Stewart), whose advancing years are also causing issues with his abilities, tells Logan of a young girl, Laura (Dafne Keen), who has been cloned from Wolverine's DNA, they realise that she may be their only hope of saving the world from the evil corporation that is set on destroying everything in its path. The cast also includes Richard E. Grant, Stephen Merchant and Boyd Holbrook. Review: The Last Cut Is The Deepest! - Did we need another X-Men movie? In fact did we need another Wolverine movie? Well the result is there for all to see, with Logan not only showing itself to be undoubtedly the best Wolverine venture by far, but arguably the best X-Men picture as well. If, as expected (and surely to god it's hoped so), this is the last we see of the grumpy metal clawed superhero, then what a fitting and triumphant bow out it is. James Mangold, the director, has managed to create an adult superhero movie without it really being a superhero pic, for he has created a film noir Western that happens to be about a superhero. Mangold's love of noir and Westerns bursts from the screen, which for those who follow those wonderful stands of cinema, will come as no surprise having seen with notice his Copland and 3:10 To Yuma redux. There's a perpetual grimness to the narrative that belies the quite often stunning surrounding locales, heavy themes such as men out of time - with destinies written (cue a deft comic book movie within a comic book chunk of metaphysics) - surrogates, mental illness, human ignorance, and on it goes, the narrative strong on intelligence as much as it is in wrought emotion. Western fans will also be buoyed by the part that the 1953 classic Western Shane has to play in things, considerably so as its importance narratively, orally and visually is mightily strong. Logan's Run! Ah yes, well being "adult" is all well and good, but is Logan thrilling? Do we get pumped up Wolverine action, blood brains, splatter and mucho muscle flexing and pained roars of anger? Oh yes! Action from the off is never far away, and wonderfully staged and choreographed it is. Lots of memorable set-pieces, while also some cleverly constructed sequences such as Xavier's mind seizures hold court and enthral. Yet the kicker with all that is we are clued in to the emotional baggage that the side-burn sporting protag carries with him. With each fight we sense the bigger picture, even as we watch in awe the emergence of Laura (ironic film noir name right there as it happens) - and her part in this very "human" story - the thrills and spills are propelled by a meaningful but battered heart. Tech credits are superb. Acting honours go to Jackman, who after giving 17 years of his life to the character, gives it his all and this multi faceted performance, in a perfect world, deserves Oscar recognition. Patrick Stewart, also, is immense, playing the nonagenarian Charles Xavier with such class, gracefulness and storming emotion that one can only admire. Film debutante Dafne Keen as Laura is utterly engrossing, quite a debut indeed, whilst Stephen Merchant as albino mutant tracker Caliban is effective to the point we hanker for more. Although the villains fronted by Boyd Holbrook (rote henchman leader) and Richard E. Grant (smarmy scientist git) just about pass muster, there's nothing to damage the piece. Cinematography (John Mathieson) is "A" grade, the filters set on neo-noir, with the splendid film noir black and white version a fillip for the heart of noir lovers. All that is left is for the sound mix to boom and the director to steer with heart, brain and soul, without doubt both come up trumps. One of 2017s best films, a genre splicer that ticks all the boxes of great film making. 10/10 Review: Love wolverine and hugh jackman plays the role fantastically - Love wolverine and hugh jackman plays the role fantastically. This is the third part in the wolverine movie trilogy and it is probably the best one overall. Set in the near future wolverine has aged and as a result his healing factor has slowed down considerably. The feel of the movie is like a western and the action is excellent, the story is very deep for a comicbook movie and when compared to all the other superhero movies out there it is miles ahead and at times you forget your watching a film about a mutant with sharp claws. If ever a comicbook movie would be nominated for an oscar this has to be it. Jackmans been playing this character for around 17 years and this is his great finale, i dont usually cry when watching films but i had a great big lump in my throat at the end of this one. Hugh jackman will always be wolverine and i feel sorry for whoever steps into role next. Well done to all involved in making this movie. Excellent.













































| ASIN | B06X9CHD84 |
| Actors | Boyd Holbrook, Dafne Keen, Hugh Jackman, Patrick Stewart, Richard E. Grant |
| Aspect Ratio | 16:9 - 1.78:1 |
| Best Sellers Rank | 5,196 in DVD & Blu-ray ( See Top 100 in DVD & Blu-ray ) 647 in Science Fiction (DVD & Blu-ray) 1,334 in Action & Adventure (DVD & Blu-ray) 1,817 in Drama (DVD & Blu-ray) |
| Country of origin | Poland |
| Customer reviews | 4.7 4.7 out of 5 stars (1,397) |
| Director | James Mangold |
| Is discontinued by manufacturer | No |
| Language | English |
| Manufacturer reference | unknown |
| Media Format | Blu-ray, DVD-Video, PAL |
| Number of discs | 2 |
| Producers | Hutch Parker, Lauren Shuler Donner, Simon Kinberg |
| Product Dimensions | 17 x 13.5 x 1.2 cm; 80 g |
| Release date | 10 July 2017 |
| Run time | 2 hours and 17 minutes |
| Studio | Walt Disney Studios HE |
| Writers | David James Kelly, James Mangold, Michael Green |
S**N
The Last Cut Is The Deepest!
Did we need another X-Men movie? In fact did we need another Wolverine movie? Well the result is there for all to see, with Logan not only showing itself to be undoubtedly the best Wolverine venture by far, but arguably the best X-Men picture as well. If, as expected (and surely to god it's hoped so), this is the last we see of the grumpy metal clawed superhero, then what a fitting and triumphant bow out it is. James Mangold, the director, has managed to create an adult superhero movie without it really being a superhero pic, for he has created a film noir Western that happens to be about a superhero. Mangold's love of noir and Westerns bursts from the screen, which for those who follow those wonderful stands of cinema, will come as no surprise having seen with notice his Copland and 3:10 To Yuma redux. There's a perpetual grimness to the narrative that belies the quite often stunning surrounding locales, heavy themes such as men out of time - with destinies written (cue a deft comic book movie within a comic book chunk of metaphysics) - surrogates, mental illness, human ignorance, and on it goes, the narrative strong on intelligence as much as it is in wrought emotion. Western fans will also be buoyed by the part that the 1953 classic Western Shane has to play in things, considerably so as its importance narratively, orally and visually is mightily strong. Logan's Run! Ah yes, well being "adult" is all well and good, but is Logan thrilling? Do we get pumped up Wolverine action, blood brains, splatter and mucho muscle flexing and pained roars of anger? Oh yes! Action from the off is never far away, and wonderfully staged and choreographed it is. Lots of memorable set-pieces, while also some cleverly constructed sequences such as Xavier's mind seizures hold court and enthral. Yet the kicker with all that is we are clued in to the emotional baggage that the side-burn sporting protag carries with him. With each fight we sense the bigger picture, even as we watch in awe the emergence of Laura (ironic film noir name right there as it happens) - and her part in this very "human" story - the thrills and spills are propelled by a meaningful but battered heart. Tech credits are superb. Acting honours go to Jackman, who after giving 17 years of his life to the character, gives it his all and this multi faceted performance, in a perfect world, deserves Oscar recognition. Patrick Stewart, also, is immense, playing the nonagenarian Charles Xavier with such class, gracefulness and storming emotion that one can only admire. Film debutante Dafne Keen as Laura is utterly engrossing, quite a debut indeed, whilst Stephen Merchant as albino mutant tracker Caliban is effective to the point we hanker for more. Although the villains fronted by Boyd Holbrook (rote henchman leader) and Richard E. Grant (smarmy scientist git) just about pass muster, there's nothing to damage the piece. Cinematography (John Mathieson) is "A" grade, the filters set on neo-noir, with the splendid film noir black and white version a fillip for the heart of noir lovers. All that is left is for the sound mix to boom and the director to steer with heart, brain and soul, without doubt both come up trumps. One of 2017s best films, a genre splicer that ticks all the boxes of great film making. 10/10
K**5
Love wolverine and hugh jackman plays the role fantastically
Love wolverine and hugh jackman plays the role fantastically. This is the third part in the wolverine movie trilogy and it is probably the best one overall. Set in the near future wolverine has aged and as a result his healing factor has slowed down considerably. The feel of the movie is like a western and the action is excellent, the story is very deep for a comicbook movie and when compared to all the other superhero movies out there it is miles ahead and at times you forget your watching a film about a mutant with sharp claws. If ever a comicbook movie would be nominated for an oscar this has to be it. Jackmans been playing this character for around 17 years and this is his great finale, i dont usually cry when watching films but i had a great big lump in my throat at the end of this one. Hugh jackman will always be wolverine and i feel sorry for whoever steps into role next. Well done to all involved in making this movie. Excellent.
L**E
My favourite Marvel movie.
This is probably my favourite comic book movie since the Nolan Dark Knight trilogy. This is because to me it takes the comic book heroes and places them into a more real world context. This means it is grittier than the usual X-Men movies, less over the top with the action but it feels better for it. Hugh Jackman puts in his best performance as Logan/Wolverine in any of the movies and portrays a great depth to the character than seen before. It was strange seeing Patrick Stewart play an even older Charles, this time one who swears fairly regularly. The real star though to me is the young actress Dafne Keen who gives her role a real sense of intensity. The movie is gorier, more adult and all the better for it. I hope Marvel Studios continue down this route with their X-Men universe.
E**F
No superhero brawl....a contempary gritty western for grown ups
For those who believe that the superhero movies should just play nicely within the space traditionally provided for them; i.e. an insistence that they be kid friendly, with no swearing, with city destroying climaxes and limited consequences; it’s probably fair to say Logan will be surprise and may not be for you. I love those sorts of movies but this is doing something very different. Logan is an adult-oriented, slow-burning, brutal and let’s be honest often a bit depressing story set in a broken down future where mutants are on the wane; clearly taking its cues from 70’s westerns rather than the main X-Men films. Backstory and context is there but has to be gleaned from conversations which aren't just based on exposition but on actual believable dialogue between characters (which benefits repeat viewings). Action is sparse but violent (yet not gratuitously so, unlike the also alternative and excellent Deadpool), however it contains best ever performances from Patrick Stewart, Hugh Jackman in their roles, as well as terrific support from newcomers. The slow-burn story allows you to really get under the characters skin and there’s some beautiful moments of pathos which highlight how well genre movies like this can approach more everyday subjects; in this case how aging affects us and our relationships, responsibility, running away from your past, etc. Those who are willing to accept the shift in genre and go with it, will find much to love here, its certainly one of the best comic book movies ever made and one of 2017 best movies (especially that beautiful last shot). Like I say though, I can appreciate this wont be to everyone's tastes.
J**M
Great movie
A**R
Had to send it back. It would have been a great addition to our X-Men collection. Didn’t know that not all dvd machines are coded to different areas.
C**E
My own fault so I give it 5 stars, dvd in great condition, arrived early. But my dumb*** didn't see the warning before buying. This is not formatted for american bluray players. Yikes.
A**R
Definitely the best comic book movie of all time!
M**N
I didn't originally know about the country classifications when I bought these two items however considering that they cannot be played in any dvd, blue ray or 4k played made anywhere in north or south America I don't really understand why its even possible to buy, its essentially the same as selling broken products. Or at least Have a big flashing sign
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