---
product_id: 859164
title: "Vandoren SR2125 Alto Sax Traditional Reeds Strength 2.5; Box of 10"
brand: "vandoren"
price: "€ 72.94"
currency: EUR
in_stock: true
reviews_count: 8
category: "Vandoren"
url: https://www.desertcart.sk/products/859164-vandoren-sr2125-alto-sax-traditional-reeds-strength-2-5-box
store_origin: SK
region: Slovakia
---

# Rich tone & flexible response Classic alto sax reed design Box of 10, sealed freshness Vandoren SR2125 Alto Sax Traditional Reeds Strength 2.5; Box of 10

**Brand:** vandoren
**Price:** € 72.94
**Availability:** ✅ In Stock

## Summary

> 🎷 Elevate your alto sax game with the reed that defines excellence.

## Quick Answers

- **What is this?** Vandoren SR2125 Alto Sax Traditional Reeds Strength 2.5; Box of 10 by vandoren
- **How much does it cost?** € 72.94 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.sk](https://www.desertcart.sk/products/859164-vandoren-sr2125-alto-sax-traditional-reeds-strength-2-5-box)

## Best For

- vandoren enthusiasts

## Why This Product

- Trusted vandoren brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Versatile Playability:** Effortlessly switch between legato and staccato with rich tonal body.
- • **Precision Crafted Cane:** Thin vibrating tip with solid spine for consistent performance.
- • **Unmatched Tonal Clarity:** Experience pure, balanced sound from pianissimo to fortissimo.
- • **Trusted by Professionals:** Preferred reed since Marcel Mule, top choice for classical and beyond.
- • **Individually Sealed Freshness:** Each reed in airtight Flow Pack to preserve optimal condition.

## Overview

The Vandoren SR2125 Alto Sax Traditional Reeds (Strength 2.5) come in a box of 10, each individually sealed to ensure freshness. Crafted from premium cane with a thin vibrating tip and solid spine, these reeds deliver exceptional tonal clarity, flexibility, and responsiveness across all registers. A favorite among classical saxophonists worldwide, they offer reliable, rich sound quality suitable for both practice and performance.

## Description

This reed is designed to produce a quality of extremely pure sound due to a very thin reed tip (the area of reed with maximum vibration), being balanced by a solid vertebral column (more cane in the area which climbs gradually to the heel). These reeds are recognizable by a straight line to delineate the limit of the area of bark. The favorite reed of classic saxophonists worldwide since Marcel Mule, it has always been (and is still) used with equal success by many players.

Review: Reliable Reeds That Never Disappoint - I’ve purchased the Vandoren SR213 Alto Sax Traditional Reeds (Strength 3, Box of 10) at least four times, and they consistently deliver excellent tone and response. Each reed is durable, well‑crafted, and provides a warm, balanced sound that works beautifully across styles. The consistency from box to box makes them a dependable choice, whether practicing or performing.
Review: Devoted to Vandoren - Whether a serious musician or a beginner, you've probably heard of Vandoren reeds. As always, it remains the standard and the best reed-maker in the business. I apologize if this review might seem basic, but I'm targeting this review to the latter audience because I feel that experienced musicians are probably already familiar with Vandorens. Additionally, while I have tackled a variety of musical styles, performed well in solo and group festivals/competitions, and played in collegiate bands, I am by no means a professional and only play as a hobby now. This rating is based on my personal experience and the collective opinion of people whom I have played with and who use Vandorens. To be fair, I have given these reeds 5 STARS IN COMPARISON TO ALL OTHER REEDS ON THE MARKET THAT I HAVE USED, not based exclusively on the product individually. I have tried a wide variety of reeds including, Vandoren original (this product), Vandoren V16, Rico, Rico Royal, Legere synthetic (plastic), etc. Also, remember that in order to get the best out of your reeds, you should be using a good mouthpiece and ligature. From the very beginning I have been using a C-star s-80 mouthpiece and rovner ligature. In terms of instruments, I started off with a Selmer Bundy II but for the past 8 years I have been played on yamahas (marching band) and a silver-plated Selmer series iii alto saxophone for personal/symphonic/concert use (the instrument was WAY cheaper than current Selmer models when it was purchased in 2003). Knowing what I know now, if you are considering purchasing a higher-end saxophone, I would highly recommend a laquered instrument; the silver plating has been sssooooo annoying/time-consuming to upkeep and both produce the same quality of sound. Also, if you do find a series ii and a series iii (although I don't know if either are in production anymore), go with a series ii super action 80. I wish I had; there are some pitch issues on the iii. But if you are still in the market for an instrument, talk with professionals in the area; I am no longer familiar with which instruments are the best on the market for beginners, upper level, etc. Cons: If I was not comparing these reeds to other manufacturers, I would give this product 4 stars because I feel the quality of Vandoren reeds has slightly decreased over the years. I mean this by saying that while there used to be only a few "duds" per box, the percentage has increased (I know of multiple professional musicians who share my opinion in this regard) over the 12-ish years I have been using them (I've been playing for 13, but started out on Rico Royals--I will never go back to those again). Now, I find that only a few reeds per box of 10 are of the exceptional quality that I am looking for. For the beginners, by "duds", I mean reeds that won't consistently give you high quality tone and control over an extended period of time. With these, I find that it takes me an especially long time to break them in (keep in mind all reeds to take some time to break in, no matter how good the quality). And if they ever do reach the clean tone I am looking for, it is rare, and very short-lived (a week or so max with a couple hours of play-time every day). With these "duds", you will see a higher incidence of "squeaks" and a larger difficulty controlling your dynamics (volume), especially at extremes such as pianissimo, fortissimo, etc (very quiet, very loud) or particularly low/high notes, especially above upper D (above the staff) and below lower D (below the staff). The poorer quality the reed, additionally the more difficulty you will have controlling your tone; you may find that your tone is too brassy or that it is difficult to change your tone to suit different styles of music, even with changing your embouchure (mouth positioning) and/or air flow. Now onto the pros: Even with their setbacks, Vandoren remains the best reed manufacturer. When you do find those good reeds, you will find unmatched quality and amazing flexibility in your capabilities and won't have to work as hard to achieve your desired results. Additionally (in my experience), when you first start playing and don't have strong control over your embouchure and tone, you really won't notice a difference in quality from reed to reed, especially at lower strengths like 2, 2.5. The quality difference I mentioned is something that you likely won't realize or annoy you until you start playing at an upper level and have strengthened your air tone and air control (for me, it took about 4-5 years with private lessons once a week and band practice for an hour 5x/week; keep in mind I started using Vandorens and taking lessons in 6th grade--if you are starting as an adult and/or have already mastered another wind instrument, this likely will greatly reduce that time). And even once you reach an upper level, most of the "duds" can still be used for everyday practice, just not concert performance. In fact, I find that forcing myself to play on these reeds has helped me develop the control I had over my tone, instead of relying solely on the quality of the reed. SOMETHING NEW I LOVE: All of the reeds are now individually sealed air-tight like little candies. In the past, all of the reeds used to only be in their own plastic holders but still loose so if for some reason there was excess moisture in your case (e.g. you forgot to leave your case open to let a wet instrument dry out from playing in marching band) over only one night you could end up with an entire box of ruined moldy reeds (this has happened to me on more than one occasion). Now, I am never faced with that issue. That being said, if your instrument/case is at all damp/wet, it is crucial to let things dry out or it could do some serious damage to your instrument over time (accelerated rusting, stiff/cracked leather on the pads, loosened pads from deteriorated glue, etc.) Choosing the strength of your reeds: When I was first chair my senior year of high school, I was playing on 3's and switched to 3.5s when I started playing in a collegiate marching band (if you need to frequently play extremely loud like I had to for marching, then you will need stronger reeds; you'll have less tone control on softer reeds at louder volumes and burn through them more quickly). But after needing such a strong embouchure for so long, I had to stick with 3.5s to maintain the tone quality I desired, even in a symphonic concert setting. If I go for months without playing, I have to start off using 3s until my embouchure is strong enough again. Some of my peers were playing on 4.0s. When I was a freshman the first chair was a 4.5. Remember that being able to play on stronger reeds does not equate to greater ability--it is reflected by the natural strength of your embouchure and air flow. Working your way up in strength takes time and should not be rushed; at one point you might reach a strength and never increase again. As a casual player, I hover around a 3.0-3.5. As long as you are getting a good smooth tone out of your reeds, stay at that strength. If you are a beginner, I would recommend starting out on a 2.0 or 2.5 for these Vandoren reeds. If you are younger, completely new to wind playing/have a weak embouchure, have undeveloped diaphragm muscles (i.e. you can't push air very strongly), or any combination of the above, start out with a weaker strength. For adults I would probably recommend a 2.5, for children I would recommend a 2.0, but that is by no means the rule. It is better to start off with a weaker strength than a stronger one. If you receive your reeds and are able to put out a sound immediately, easily (without pushing air very hard), and your tone sounds more like a buzz, then the reed strength is too low and you should move up (e.g. move from 2.0 to 2.5). If you really struggle to put out a sound and can only manage to squawk or play loudly but not quietly, try to play on the reed for a few days if you can get out a sound. But if you are still facing the same issues, you should consider moving down a strength. ***I have been referring only to the original Vandoren reeds in terms of strength. I would strongly advise you to use Vandoren over any other manufacturer. But if they are just too expensive, consider Rico Royal (NOT RICO). If that is the case, then add 0.5 to everything (e.g. a Vandoren 2.5=Rico Royal 3.0). Also, the Vandoren reeds are optimal for classical playing but can also be used for a broad range of styles--I've used them for marching band, symphony band, jazz band, etc. But if you positively know that you will only be playing jazz music, consider using the Vandoren V16s and purchasing a jazz mouthpiece and ligature. Sorry this is so lengthy; hope it helps! :)

## Features

- Traditional reeds are known for their excellent response in all registers, allowing a pianissimo attack in even highest notes.
- Extremely flexible, allowing the legato or staccato execution of large intervals while maintaining a richness of tone that gives body and clarity to the sound, which is a hallmark of Vandoren reeds.
- Traditional reeds are available for all clarinets and saxophones in various strengths.
- Every reed sealed in 'Flow Pack' to ensure freshness.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B0002E1OX6 |
| Best Sellers Rank | #49 in Musical Instruments ( See Top 100 in Musical Instruments ) #1 in Alto Saxophone Reeds |
| Brand Name | Vandoren |
| Color | Box of 10 |
| Customer Reviews | 4.8 out of 5 stars 13,741 Reviews |
| Finish Type | Natural |
| Global Trade Identification Number | 00008576501365 |
| Included Components | 1 reed |
| Instrument Key | E Flat |
| Item Dimensions | 1.5 x 2.5 x 4.5 inches |
| Item Height | 4.5 inches |
| Item Type Name | Accordion Accessory |
| Item Weight | 22.68 g |
| Manufacturer | Vandoren |
| Material Type | Cane |
| Style | Strength 2.5 |
| UPC | 008576120108 008576501365 |
| Unit Count | 10.0 Count |

## Product Details

- **Brand:** Vandoren
- **Color:** Box of 10
- **Instrument Key:** E Flat
- **Material:** Cane
- **Style:** Strength 2.5

## Images

![Vandoren SR2125 Alto Sax Traditional Reeds Strength 2.5; Box of 10 - Image 1](https://m.media-amazon.com/images/I/61XbnOLeNHL.jpg)

## Available Options

This product comes in different **Pattern, Size** options.

## Questions & Answers

**Q: Are the reeds stiff? I've heard they are but these were Vandoren from about 10-15 years ago.**
A: Any new reed is going to be stiff as is expected. The reeds do "loosen" as they are used to some extent. I recommend them to intermediate players. For a beginner then the strength should probably be a 2.  Both strengths work well and help deliver a quality tone.

**Q: what size should I buy?? any advice im 18, for band**
A: Ask your Band Teacher. They usually want every alto  sax player using the same mouthpiece and same reed brand and strength .
That being said,  the 2.5 is an excellent reed. I played on a 2.0 strength for 1st year.

**Q: How much can shave the reed and still make a nice tone**
A: Easy does it on shaving those reeds! Unless you have played for years don't monkey with shaving the reed. That is done carefully on certain spots on the reed. And try practice first to get the nice tone and make sure you are using the right number reed for yourself.

**Q: hello please if I order two or three boxes must I pay the 2.99 ship for each one or only one time? thank you and happy new year**
A: Hi There,If you order all the boxes at once, on one order, you would only have to pay shipping one time, for one order.Happy New Year's,TomThe Music Store

## Customer Reviews

### ⭐⭐⭐⭐⭐ Reliable Reeds That Never Disappoint
*by V***. on November 28, 2025*

I’ve purchased the Vandoren SR213 Alto Sax Traditional Reeds (Strength 3, Box of 10) at least four times, and they consistently deliver excellent tone and response. Each reed is durable, well‑crafted, and provides a warm, balanced sound that works beautifully across styles. The consistency from box to box makes them a dependable choice, whether practicing or performing.

### ⭐⭐⭐⭐⭐ Devoted to Vandoren
*by M***E on August 13, 2011*

Whether a serious musician or a beginner, you've probably heard of Vandoren reeds. As always, it remains the standard and the best reed-maker in the business. I apologize if this review might seem basic, but I'm targeting this review to the latter audience because I feel that experienced musicians are probably already familiar with Vandorens. Additionally, while I have tackled a variety of musical styles, performed well in solo and group festivals/competitions, and played in collegiate bands, I am by no means a professional and only play as a hobby now. This rating is based on my personal experience and the collective opinion of people whom I have played with and who use Vandorens. To be fair, I have given these reeds 5 STARS IN COMPARISON TO ALL OTHER REEDS ON THE MARKET THAT I HAVE USED, not based exclusively on the product individually. I have tried a wide variety of reeds including, Vandoren original (this product), Vandoren V16, Rico, Rico Royal, Legere synthetic (plastic), etc. Also, remember that in order to get the best out of your reeds, you should be using a good mouthpiece and ligature. From the very beginning I have been using a C-star s-80 mouthpiece and rovner ligature. In terms of instruments, I started off with a Selmer Bundy II but for the past 8 years I have been played on yamahas (marching band) and a silver-plated Selmer series iii alto saxophone for personal/symphonic/concert use (the instrument was WAY cheaper than current Selmer models when it was purchased in 2003). Knowing what I know now, if you are considering purchasing a higher-end saxophone, I would highly recommend a laquered instrument; the silver plating has been sssooooo annoying/time-consuming to upkeep and both produce the same quality of sound. Also, if you do find a series ii and a series iii (although I don't know if either are in production anymore), go with a series ii super action 80. I wish I had; there are some pitch issues on the iii. But if you are still in the market for an instrument, talk with professionals in the area; I am no longer familiar with which instruments are the best on the market for beginners, upper level, etc. Cons: If I was not comparing these reeds to other manufacturers, I would give this product 4 stars because I feel the quality of Vandoren reeds has slightly decreased over the years. I mean this by saying that while there used to be only a few "duds" per box, the percentage has increased (I know of multiple professional musicians who share my opinion in this regard) over the 12-ish years I have been using them (I've been playing for 13, but started out on Rico Royals--I will never go back to those again). Now, I find that only a few reeds per box of 10 are of the exceptional quality that I am looking for. For the beginners, by "duds", I mean reeds that won't consistently give you high quality tone and control over an extended period of time. With these, I find that it takes me an especially long time to break them in (keep in mind all reeds to take some time to break in, no matter how good the quality). And if they ever do reach the clean tone I am looking for, it is rare, and very short-lived (a week or so max with a couple hours of play-time every day). With these "duds", you will see a higher incidence of "squeaks" and a larger difficulty controlling your dynamics (volume), especially at extremes such as pianissimo, fortissimo, etc (very quiet, very loud) or particularly low/high notes, especially above upper D (above the staff) and below lower D (below the staff). The poorer quality the reed, additionally the more difficulty you will have controlling your tone; you may find that your tone is too brassy or that it is difficult to change your tone to suit different styles of music, even with changing your embouchure (mouth positioning) and/or air flow. Now onto the pros: Even with their setbacks, Vandoren remains the best reed manufacturer. When you do find those good reeds, you will find unmatched quality and amazing flexibility in your capabilities and won't have to work as hard to achieve your desired results. Additionally (in my experience), when you first start playing and don't have strong control over your embouchure and tone, you really won't notice a difference in quality from reed to reed, especially at lower strengths like 2, 2.5. The quality difference I mentioned is something that you likely won't realize or annoy you until you start playing at an upper level and have strengthened your air tone and air control (for me, it took about 4-5 years with private lessons once a week and band practice for an hour 5x/week; keep in mind I started using Vandorens and taking lessons in 6th grade--if you are starting as an adult and/or have already mastered another wind instrument, this likely will greatly reduce that time). And even once you reach an upper level, most of the "duds" can still be used for everyday practice, just not concert performance. In fact, I find that forcing myself to play on these reeds has helped me develop the control I had over my tone, instead of relying solely on the quality of the reed. SOMETHING NEW I LOVE: All of the reeds are now individually sealed air-tight like little candies. In the past, all of the reeds used to only be in their own plastic holders but still loose so if for some reason there was excess moisture in your case (e.g. you forgot to leave your case open to let a wet instrument dry out from playing in marching band) over only one night you could end up with an entire box of ruined moldy reeds (this has happened to me on more than one occasion). Now, I am never faced with that issue. That being said, if your instrument/case is at all damp/wet, it is crucial to let things dry out or it could do some serious damage to your instrument over time (accelerated rusting, stiff/cracked leather on the pads, loosened pads from deteriorated glue, etc.) Choosing the strength of your reeds: When I was first chair my senior year of high school, I was playing on 3's and switched to 3.5s when I started playing in a collegiate marching band (if you need to frequently play extremely loud like I had to for marching, then you will need stronger reeds; you'll have less tone control on softer reeds at louder volumes and burn through them more quickly). But after needing such a strong embouchure for so long, I had to stick with 3.5s to maintain the tone quality I desired, even in a symphonic concert setting. If I go for months without playing, I have to start off using 3s until my embouchure is strong enough again. Some of my peers were playing on 4.0s. When I was a freshman the first chair was a 4.5. Remember that being able to play on stronger reeds does not equate to greater ability--it is reflected by the natural strength of your embouchure and air flow. Working your way up in strength takes time and should not be rushed; at one point you might reach a strength and never increase again. As a casual player, I hover around a 3.0-3.5. As long as you are getting a good smooth tone out of your reeds, stay at that strength. If you are a beginner, I would recommend starting out on a 2.0 or 2.5 for these Vandoren reeds. If you are younger, completely new to wind playing/have a weak embouchure, have undeveloped diaphragm muscles (i.e. you can't push air very strongly), or any combination of the above, start out with a weaker strength. For adults I would probably recommend a 2.5, for children I would recommend a 2.0, but that is by no means the rule. It is better to start off with a weaker strength than a stronger one. If you receive your reeds and are able to put out a sound immediately, easily (without pushing air very hard), and your tone sounds more like a buzz, then the reed strength is too low and you should move up (e.g. move from 2.0 to 2.5). If you really struggle to put out a sound and can only manage to squawk or play loudly but not quietly, try to play on the reed for a few days if you can get out a sound. But if you are still facing the same issues, you should consider moving down a strength. ***I have been referring only to the original Vandoren reeds in terms of strength. I would strongly advise you to use Vandoren over any other manufacturer. But if they are just too expensive, consider Rico Royal (NOT RICO). If that is the case, then add 0.5 to everything (e.g. a Vandoren 2.5=Rico Royal 3.0). Also, the Vandoren reeds are optimal for classical playing but can also be used for a broad range of styles--I've used them for marching band, symphony band, jazz band, etc. But if you positively know that you will only be playing jazz music, consider using the Vandoren V16s and purchasing a jazz mouthpiece and ligature. Sorry this is so lengthy; hope it helps! :)

### ⭐⭐⭐⭐⭐ This is the perfect reed to have a good sound
*by J***N on November 18, 2025*

As a saxophone player this reed is one of my favorite reed and it gives a really good tune. I love how comfortable it is when playing, I am a person who practice a lot and this is a perfect reed because of the durability.

## Frequently Bought Together

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*Product available on Desertcart Slovakia*
*Store origin: SK*
*Last updated: 2026-01-22*