Frantumaglia: A Writer's Journey Hardcover – November 1, 2016

For the die-hard Ferrante fans this book is a must, and for me has answered everything I've wondered about, both regarding her life but also her books, is contained in these pages. So far I've enjoyed each and every section.As a book, it lends itself to opening up to any section and just starting in on whatever essay or title seems interesting. Mostly I've been in the latter section of interviews because they are the most personal. Many long-form interviews, talks, essays and more; what a brilliant mind and incredible author she is. I haven't even finished and already understand so much more about her process and about who she as.

I discovered Elena Ferrante when I heard about her books on public radio; then the series "My Brilliant Friend" came on HBO. Watched that and was hooked. Ordered EVERY SINGLE ONE of her books on my Kindle. Best author I've ever read. Her writing just has such a profound effect on me. Engrossing, moving, real, genuine - real life tragic / happy , introspective narratives. What I like most about her is she retains her anonymity - read Frantumaglia and you'll understand the author and love and appreciate her all the more.

After reading The Neapolitan Novels & finding them an intensive read I was curious to find out more about this author. I found the book a little self indulgent but interesting.

This is an amazing collection of….well, fragments, thoughts, letters, interviews. It gave me so much background and added more complexity to Ferrante’s oeuvre. What a brain, what thought provoking questions and considerations. Truly impacted my perspective on a number of things.

I love her fiction but these personal letters seem so foreign to what I expected. It is. A personal perception, but I do not like this side of her, even if it is her own words. It is disappointing.

I listened to this audiobook and had to have the digital book. I'm buying the regular book next. Ferrante is an amazing writer and her words are inspirational and informative and make me soar as a woman, especially as a writer. If you haven't read any of her books yet, I urge you to do so.

OHHHHH, to have some essays of Ferrante's is a HUGE GIFT!!! READ ALL OF HER WORK!!! I have in English and her translator is brilliant. I have checked her out on You tube. Don't miss out on one of the most amazing writers who not only takes us on a journey with her mesmerizing characters, but also gives a history of Napoli through them. Pure brilliance and heart in every sentence! Ferrante is a phenomenon!! xoox

Elena Ferrant's Frantumaglia: A Writer's Journey is a collection of letters and e-mail responses to interviewer and reader questions. To give you a sense of her thinking, I want to quote her extensively on writing, starting with her observation that "when you begin a story, you have to be the sole source of the story, you have to get lost in it, because there are no predetermined maps; and if perceptible traces of what you have learned from books remain, they have to be eliminated without indulgence, assuming it's possible. Because it's not always possible, nor is it good: writing is also the story of what we have read and are reading, of the quality of our reading, and a good story, finally, is one written from the depths our our life, from the heart of our relations with others, from the heights of the books we've liked."It should be clear to anyone who reads her novels that Ferrante has written, if not for the ages (as if one could), but from as deeply within herself as she can. She is not interested in the well-plotted story in which all the pieces fit together neatly, all loose threads tied off by the last page. Nor is she interested (pace MFA programs) in "beautiful" writing. She wants to write a story that has the energy to create a world, "not because it strings together metaphors. . . . The problem, if anything, is the cult of the beautifully wrought page, a recurring feature that I've long struggled with in myself. Today I throw out the pages that are too written—I prefer the rough draft to the final version."Frantumaglia is full of gems for working fiction writers like this observation about dreams in novels. They are "difficult to relate; as soon as you write them they force you to invent, to put in order, and they become false. In novels especially they are so shamelessly functional to the requirements of the psychological construction of the character that their artificiality becomes intolerable."One of the questions serious writers ask themselves often when no one seems willing to publish their books is: Why write at all? Is it simply a form of self-pleasuring? Pure solipsism? Apparently Ferrante has always believed that a book will find its readers. Her international success has validated her belief. She asks therefore, is it possible to make an immaterial organism of language, ethics, stories, experience "a concretely narratable object, that is, to employ techniques capable of conveying that organism to the reader as one does with the wind, the heat, the feeling, the events that make up the plot? To control that noisy permanent fragmenting in your head, explore that transformation into words that lasts as long as the story lasts is, I think, the secret ambition of anyone who fully dedicates himself to writing."She notes that writers ask themselves "what experiences do I know I can be the voice of"? But that, says is not the most urgent question. "The more pressing questions are: what is the word, what is the rhythm of the sentence, what is the suitable tone for the things I know? These seem like questions of form, of style, all in all secondary. But I am convinced that without the right words, without long practice in putting them together, nothing alive and true emerges."As I hope I've indicated in this quick review I believe Frantumaglia to be interesting and inspiring for anyone seriously interested in serious writing, that is someone who believes she has something deeply truthful to say and wants to express it in a profound and profoundly honest way. The book may also interest readers of Ferrante's novels for her notes on her characters and why she has insisted on remaining anonymous. And asked whether readers can expect to see more from her, she gives perhaps the one rule of writing: "If you have nothing worth writing, don't write any more."The Girl in the Photo