








🎥 Elevate your shoot with pro-grade clarity and color—don’t just film, create with confidence!
The FEELWORLD FW568 is a 6-inch Full HD 1920x1080 IPS camera field monitor designed for professional videographers and photographers. It features Rec.709 color calibration, supports up to 32 custom LUTs for real-time color grading, and includes advanced video assist tools like waveform monitoring, false color, zebra exposure, and focus peaking. Compatible with 4K HDMI input/output, it offers versatile connectivity for DSLR and cinema cameras. Lightweight at 175g and equipped with a tilt arm, it’s optimized for on-set and field use, delivering precise image analysis and enhanced shooting flexibility.


























| Best Sellers Rank | #37 in Video Monitors |
| Customer Reviews | 4.3 out of 5 stars 2,863 Reviews |
T**R
WOW, For $100 This is a SUPER DEAL
This is my written review of the products I've purchased on amazon. This review is only for those looking for information about the monitor in the real world. I have done this test to show the visibility of the monitor in a real-world situation as a filmmaker or photography trying to create content. Feelworld did not ask me to do this review or this written review. I purchase this with my own money. This is not a Promotion, I am a Professional Photographer giving feedback I like some of the features that it some with and even thou that the monitor doesn't have a gyroscope to make fliping the image easier but it does work when you have to set and change this in the settings. "this takes more time than using a gyroscope" Images look clear with 50% brightness and 50% backlight but keep in mind that when using the backlight at a high percentage the battery can decrease and you will lose on screen time if you do so. "use higher capacity batteries but this will increase the weight to the gear and to the monitor. Not everyone is going to like this but I think they could sell the monitor with different cable ports, the one it does come with, is micro HDMI to HDMI and not all cameras use the same HMDI ports. I had to use the mini HDMI and to HDMI and purchase one from another seller which in my optional is not something no one should experience but then again " marketing and manufacturing and knowing how many types of HDMI cables to add to per-box can be a pain. It's best for you to invest in a high-quality HDMI for your camera in advance. Focus peaking feature works best with Sony cameras or any camera that does support pure focus peaking features/ "Reason said - Canon DSLR can't show the full effect of focus peaking due to lack of that technology and sensor abilities. When a Sony, it clearly stands out and works much better with my Sony A-mount A77ii vs Canon 8D with no Focus Peaking features." False Colors work well with DSLR camera with stock picture profiles but with a camera using Log profiles or cinema cameras, it works well with professional-level cameras and you can see when using the log profiles the true colors and exposures guide when dealing with those false colors. Battery lives is a mixed bag "based on user experience" This topic should be left untouched for the reason that I am using monitor based one conditions scene. This included brightness and backlight usability. Price is and was a shock to me at the time of my purchase at the price os $100 U.S dollars The size for this monitor in my optional is just perfect for gimbal work or hand-held film work in the field. "As I said before - NOTE: based on one battery, the weight will be added." Most monitors right now with the same features are price more. Functionality, I can move and rotate the monitor for my user experience when I have to and the addition of the unique style of the L-bracket "TILT ARM" works well for most situations.
B**T
I can see what I'm shooting!
I recently purchased the FEELWORLD FW568 V3 6 inch DSLR Camera Field Monitor and I am extremely impressed with its quality and functionality. The monitor is compact and lightweight, making it easy to carry around while shooting. The Full HD 1920x1080 IPS display is crystal clear and provides accurate color representation, making it easy to monitor footage while shooting. The waveform and LUTs are extremely helpful in ensuring that my footage is properly exposed and color graded. The video peaking focus assist is also a great feature that helps me achieve sharp focus while shooting. The included tilt arm is a great addition and provides flexibility in positioning the monitor. The 4K HDMI and 8.4V DC input/output are also very useful features. Overall, I am very satisfied with my purchase and would highly recommend the FEELWORLD FW568 V3 6 inch DSLR Camera Field Monitor to any filmmaker or videographer looking for a high-quality and versatile field monitor.
M**R
Battery plate issues mar a great value monitor
I really want to 5 star this one; it has excellent image quality for the price, you get THREE function buttons, and it's a good size for setups where 7" is too much. **EDIT** Man, Feelworld's customer service is RESPONSIVE; this should really give you confidence, they've really jumped into trying to learn what issues I've had. ** I wanted a 5 or 5.5" with the dual Sony/Canon plate - I have about 6 aftermarket Canon batteries and all sorts of sizes of Sony; the Sony pop right in, but not the Canon. It takes a lot of force to get them to pop into place, and an utterly ridiculous amount to remove them - like "I'm gonna break this thing" scary. Maybe there's a difference in actual Canon LP-E6 batteries - I don't shoot Canon but the LPs are so ubiquitous that I have a bunch. I did email Feelworld and they replied right away, asked for a link to purchase similar batteries and test them, so - good fast reply at least, but doesn't solve my issue. **EDIT** Feelworld continues to be in touch with me, they actually purchased the non-Canon batteries from Amazon and confirmed they have an issue. I have to assume most people buy a camera that comes with one battery and then instantly buy a handful of cheap aftermarkets, so this may be an ongoing issue with buyers of this camera.** But, of great importance - color was perfect right out of the box; I didn't need to use bars and adjust (it does have blue-only though). They've really sourced an excellent panel for this one. You can adjust sharpness as well. It's nice & snappy. The other 2 dings are minor - the side-mount with a bracket is kinda cool, but most of us are used to mounting these from the bottom. To bottom mount the monitor, you have to remove a small part and move it from the side to the bottom (tiny screws, not gonna be your favorite thing to do on-set). Feelworld sells the part for about ten bucks, just ordered one, but it seems like the monitor should show up with at least 2 mounting points. Also, the supplied bracket lets you tilt the monitor but not rotate it (I've found when I'm running camera with an interviewer, the subject will keep glancing at me/the camera; if I rotate my monitor so I'm not facing the subject at all, that behavior stops - it works like a charm, try it sometime). These little screens are great for odd rigs, crazy angles, cranes, shooting very low or high, and the old-school ball and socket mount lets you get the monitor aimed where you need it pretty quickly. YMMV of course, but more mounting points would be welcome; ten more bucks and you're good though. And one more minor quibble - multiple zoom levels, but not a true 1:1 level, as far as I can tell. On the plus side, assign an Fkey to Zoom, and each press cycles through the zoom range - in my experience most small monitors are 1:1 or no-zoom until you get up there in price, so the extra levels could be handy. Peaking is fine, and I use the third f button for check-fields; I often frame with the camera's monitor and ride focus with the external zoomed in 1:1 with peaking and monochrome (I find peaking is much clearer with mono vs. color). I shoot almost all 4K for a 1080 timeline, and the screen looks just fine regardless of footage resolution. HDMI out is nice, no splitter needed for multiple monitor gigs. So, ten bucks solves the mounting issue, but the battery plate's a disappointment; ordered some more Sony and I suppose I'll shelve the Canon batteries for now. Service is responsive (they sent me the link to the mounting part right away). Wondering if anyone else has battery plate issues, I've tried other screens with dual plates and had zero issues.
Y**Y
Works very well for what I need.
When I went searching for a camera monitor for a Canon R7 as my eyes aren't that great, I was worried that a 6" might be a little small. As this was (when I bought it one hundred and twenty five bucks US), it was one of the cheapest options going and I really wasn't expecting much. I just needed to see the frame and to see the setting on the R7. Only problem I had is that the touch screen didn't work, and from the time I used it I didn't really see a reason to use it, thought it may work, an annoying screen that said default mode or something like that popped up but disappeared as soon as I turn on the camera to film, and didn't return after I stopped recording. It had an okay button that I pealed back the plastic to try, and it didn't work either. But the unit, while not "rugged" (pack and care for it carefully) still appeared to be well made, picture was bright and easy to read in broad daylight, and I used a Canon r7 battery ( I dunno look it up) which in the hour I shot was only down about 25%, so I expect it would work for a very long time. The arm is well made and sturdy, it has a sunshade with affixes very well with velcro, only the monitor case itself is a little flimsy, made of plastic but I think it would take a pretty strong impact to break (think.. I didn't try to break it). So even with the touch screen not working, I would buy it again, that was the only reason (and perhaps for not having a more ruggedized case) were the only reason for the 4 star rating. In function otherwise, I couldn't be happier for the price. For me 6" was perfect for my bad eyes (I give them a two star rating **). Last note, as many are aware, in China anyone can OEM a product with their own logo. I saw the same monitor $25-35$ more through other vendors with perhaps a less lame name.. so to me this was the best deal.
S**O
Calidad y diseño
Compré el FEELWORLD FW568 de 6 pulgadas para usarlo con mi cámara DSLR y la verdad superó mis expectativas. La pantalla Full HD es nítida, con buenos colores y ángulos de visión correctos. Me ayudó muchísimo a mejorar el enfoque y la exposición, algo que en la pantalla de la cámara a veces cuesta ver. Lo mejor es que trae herramientas profesionales como waveform, histograma, zebras, focus peaking y la opción de cargar LUTs, lo cual es increíble por este rango de precio. Para grabar video es una gran ayuda y hace que el trabajo sea mucho más preciso.
R**Y
Outstanding Value
Setup was easy on a Canon R7 since the cable was appropriate for my camera. The screen view is razor sharp, the product appears well made, and the sun shade will likely come in handy. I have not "field tested" it yet as my setup and trial photos were limited to my backyard. However, I expect it will meet my birding photography needs, both handheld and when mounted and used on a tripod setup. For my entry into using a camera mounted monitor, the price and value proposition seems unbeatable.
G**E
Good Price
I loved the quality, good and easy to use, buttons worked and image was very clear. However, it kept coming lose, the shoe lock always kept coming off, you need to really tighten hard, focus assist was not always on point, but it could have been my dslr cam, battery compsumtion is not bad, Made it thru 2 hours with extended battery, cable kept getting lose also, I kept losing my image and the most disappointing thing is that when I played back my videos on my camera Canon Mark 3, i couldn’t see the playback videos on the monitor so that sucked.
G**A
Good choice
Why did you pick this product vs others?: Bought this for my Grandson he loved it just remember battery pack is seperate.
Trustpilot
2 weeks ago
2 days ago